Mina
#30 · created orderSound of Vespera · The living amplifier
- Apparent age
- Adult
- Family
- Daughter of Matthew & Ari · Mother of Beatrix (Trix)
Morning routine
Already wearing the cans. Checks the quiet first, then the room. May warm her palms on a kettle instead of a crowd. Does not owe the pile a concert. Returns from Vespera on the line that knows the house.
Appearance
Dark violet hair that goes gold when she turns. Earphones always — purple and gold, part of the face, a collar for her own output. Clothes in the same colours. Sci-fi clean, night-city. Palms and throat can speak at volume; the cans stay on so the world gets the mix she means.
Personality
Kind. Not cruel. Intense is allowed. People are not glass. Jokes may live in the drop and land for an audience of one, or for a terrace full of strangers who do not need the joke explained. Adult. Not the Academy. Not “the other musician.” She does not play sound. She is the room it happens in. Wave, not Voltara’s spark. DJ. Band. Does not owe the pile a concert.
Powers
Living amplifier. Palms and throat at volume. The room happens because she is in it. Wave — not lightning, not harp, not a timetable.
Interests & role
The quiet first, then the room. A kettle instead of a crowd. Floating terraces. Returning on the line that knows the house when the set is down.
Notes
30th girl. Sound of Vespera. Home is the night city; the Manor is family she visits when the set is down. Not Melina’s harp. Not Merry’s Academy timetable. Not Voltara’s spark. Mae may pass a terrace she is already filling. The file and the mix are different jobs. Beatrix is hers — Trix, hype of Vespera, not mix. Homeschooled on the terraces. Mina stands at the back with the real mix on, mortified-fond. Protective of her own quiet: Trix will clear a path to the kettle, then go be the noise somewhere else. Viva is the known row at every gig. Most of the city thinks she is just a girl. Mina does not correct the file.
“I do not play it. I am the room.”
Portrait · Mina